Ōm Light and Ōm Sound are the Primal Source of all manifest forms. Ōm Light is aroused by its own effort in a state of disorder and appears as a flame. The state of Ōm light and Ōm Sound in Space is a magnificent luminous six-faced Light that is called Murukoli. The transformation of Ōm Light and Ōm Sound through the five stages is concealed in the five-fold knowledge, of which this is the First. This process of transformation of disorderly Ōm Light and Ōm Sound into creative orderliness is found in all
five-fold material forms.

Trip the light fantastic is a phrase that comes from the author John Milton (circa 1637). It means to dance in a nimble and especially imaginative or ‘fantastic’ manner to music. So, when someone says, “Let’s go out tonight and trip the light fantastic,” they mean. “Let’s go out and really dance, dance, dance.”

In Mayonic Science or Vastu Science we can view this with an entirely different meaning. The “dance” in Mayonic Science is the pulse in the body of consciousness or Brahmam that begins the rise of the manifest world. This is the basis of our work and it is put forth by Brahamarishi Mayan in his Aintiram and Pranava Veda.

Mayan’s greatest achievement, and root of all of his other achievements, was the discovery of the Brahmam principle, which is akin to modern Unified Field Theory (the field of Brahmam) and quantum physics (the actions of particles and waves within the Unified Field). Not only did he discover The Brahmam principle, but he also discovered principles akin to modern point theory, wave theory, string theory, and particle theory. He, in a nutshell, was able to describe the fabric of the universe and the innate
functioning of an underlying intelligence responsible for the formation of matter from pure energy or consciousness. And, in that description, he explained a fundamental particle (micro and macro) from which all of life arises.

Mayan, in his understanding of the Unified field and quantum field activities (ripples in the Unified field), was able to go further than modern science. Mayan states: There exists an order in the Universe – subtle universe and material universe. This power is attributed to the consciousness of the cosmic space as well as of the inner space of the animate beings. This consciousness, by its personal effort to express its own inner feelings, causes a kind of vibration or pulsation in the inner space, resulting in energy-grids. The vibration or pulsation, being the causal element of all these events, is called Kaala (Absolute Time). This is actually the force of energy aroused by the inner consciousness, causing waves and contributing to the growth of living forms. This Kaala resides in all living beings. So, space is the offshoot of the vibration of the primordial energy. This is how the space was born. All forms of nature are manifest forms of
subtle energy. For all to get manifested, the force is Kaalam. This waveform frequency realm is the creative element of the universe. (Aintiram)

Without exception, ancient Vedic texts speak of Mayans’ Brahmam principle. Modern science has, in theory, come to understand that there is that one unified field from which the material world arises; yet, it is only a theory today. However, Mayan thought of it, saw it, and described it – the Brahmam principle.

Mayan identified the structure of infinite and finite energy particles. Mayan defined the vibration of inner Space and outer Space as a quantifiable by virtue of which he was able to identify the structure of these energy particles and an order in the development of forms of matter. He discovered that the subtlest and smallest particle exists as a cubical structure containing a vibrating Thread of Consciousness or Cosmic Flame/fire. This Cosmic Fire is the creative element. This particle he called anu or microabode (Dr. V. Ganapati Sthapati). The microabode is the smallest particle in Absolute (paramanu) and relative existence. It is the foundation from which all matter rises. Absolute Space is packed with these energy particles.
It is from these particles that Absolute Space manifests itself first as Time or pulse, then as Ōm Light, Ōm Sound, the subtle aspects of the Pancha Bhutas (five elements – air, fire, water, earth, space).

The Growth Dynamics of the Unmanifest
How does unmanifest, potential energy become manifest, material form? As stated above, the fundamental crux of Mayonic Science is that Mayan perceived that there is one force, one fundamental First Principle from which all life emerges and in which all life resides and ultimately returns to its Primal state of pure energy. He named this principle Brahmam. He saw that Brahmam (Absolute Space, Consciousness, Potential Energy), by its own initiative, goes through a specific process to transform and
manifest itself as the material world and its objects, Kinetic Energy. Mayan perceived that that process is accomplished through a mathematical order and that this order can be replicated by humans to unfold specific qualities of Brahmam that vibrate with specific frequencies, bringing health, happiness, and spiritual bliss.

This is essentially Mayonic Science, beginning with an unmanifest micro-particle called microabode, activating it into a material micro-particle also called microabode, then building from there. Microbode or microabode refers to the smallest manifest and unmanifest particle, which contains vibrating consciousness. Also called Chidambaram – mini hall. We must begin with the unmoving vast expanse called Brahmam. He is called Shiva (pronounced as Civa) when he causes manifestation or grows through Time or pulse (We say “he” here but in fact Shiva is both male and female in its form as Nataraja). The ube – microabode – is the first manifestation of Brahmam from Soonyambaram (zero or Cosmic Space).

From the field of consciousness, we begin with the point value (Point theory) of the source of creativity. Dr. V. Ganapati Sthapati, Vaastu Vyasa, articulates Mayan’s discoveries about this fundamental level of the unified field known as Brahmam. He says that in the beginning, there is a square flattish form (Eka Pada) that is pregnant with potential – it is like a burning ember. Mayan refers to that point value in the Pranava Veda when he speaks of the quantum mechanical process of manifestation within the Unified Field.

Mayan says that from that point (eka pada) a Cosmic flame arises, by its own effort. An outside force does not stimulate it. It is autocatalytic. The self-spread Ōm light exists in a permanent state of luminosity (like a burning ember throbbing with potential). This luminosity is amazingly creative in appearance. The orderly shape of this primal source of luminous flame is four-sided (square – Eka Pada) …. The luminous primal ember contained within this square has enormous potency. (Pranava Veda Vs .3 Translated ibid.)

Dr. S.P. Sabharathnam says of this verse:
The science of Ōm, which includes Ōm light and Ōm sound, is of the nature of explaining all the functional aspects of luminous rays and sparks which give rise to the emergence of universe, the nature of various kinds of space, the spaceborn luminous lights, the inspiring effulgence and beauty of cosmic totality called morgue, six sparks functioning within inner space and in outer space, five cosmic locales, five scriptures, and five cosmic orders. The genesis of this self-activating process begins with Zero Space – Soonyambaram.

Dr. S.P. Sabharathnam, in his detailed translation of Mayan’s Aintiram said, The most important scientific theme ensouled and explained in this work is the concept of microabode, the basic space-cube which gives rise to the emergence and existence of Primal Space, Time rhythm, form, and matter. Mayan, in his treatise on astronomy called Surya Siddhanta gave this description of Brahmam: Tri-dimensionally every particle of space is a subtle cube of Energy, called Chitrambalam or Micro-Abode within which there is a ‘shaft of light’ or ‘shaft of consciousness’ vibrating or performing a ‘rhythmic dancer’. This is the dance of the Cosmic Dancer, Lord Shiva. The whole universe is filled with subtle cubes of energy
called Karu or Bindu or Foetus.

Mayan also said: Supreme Being is omnipresent and the exceptional art (manifestation process) is eternal. Experience of the Supreme Being’s consciousness led me to worship spiritual Light. Blessings of the Supreme Being helped me visualize ‘Nataraja,’ the dance of Shiva (vibration of the thread of consciousness – Brahma Sutra). Blessings of the Supreme Being helped me create this magnificent art.
Nataraja or Luminous thread is the Cosmic Dancer who dances or vibrates by its own volition as it arouses itself to manifest within itself. This vibration or frequency gives Four expanding energy belts , Brahma Sutra , Soma Sutra and Outline form of microabode.

Then it becomes the cross-section of the Atman or primal form of Consciousness contained within the human form. It mirrors the unmanifest microabode and is found in the cave of the heart. This form,
micro abode, is your naked Self – Atman – Soul.

Nataraja or Luminous thread is the Cosmic Dancer who dances or vibrates by its own volition as it arouses itself to manifest within itself. This vibration or frequency rise to the entire material world as individuated frequencies or waveforms. These manifested waveforms called Vishnu (Vaastu) become the Dance.

Ancient and modern shilpins are creative architects who give concrete expression to the cosmos. Pranava Veda outlines the very nature of Primal Existence, then Vastu Shastra shows us how to mirror that primal existence in something called built space. We take various building materials and manifest a direct mirror of Nataraja in the material world. This is the essence of Mayonic Science and Technology. This form of Nataraja, seen in several places in this text, in a visual representation, developed by Mayan to encode this
Cosmic Dance. Every detail of the form is scientifically significant. While Mayan gave the most direct and detailed understanding of this micro and macro form, other sages have spoken of it as well.
When I saw the effulgent abode of my Lord, I bowed to it in awe and reverence …
I rejoiced with my whole mind.
That Divine Vision is ever present to me …
I have attained the form of Love.

Here, the beloved Tamil saint Ramalinga, describes this internal form – abode of lord indicates that there is a “form” in which the Lord exists – the same microabode perceived by Mayan. This form is the form of Love, or from Mayan’s perspective, the source of resonance with the divine called Bhakti. This Bhakti or resonance brings a spiritual bliss one might compare to love.

The great Tamil sage Thirumular, who wrote the seminal scripture Thirumanitiram, also gives us a hint of this concept of Mayan:

He Planted His Feet on My Heart
All impurity He shattered – our Nandi, Forehead-eyed,
Shattered to pieces before His opening Eye of Grace,
His Eye, at whose radiant light impurity quails;
So transfixed He His Coral Feet on heart of mine, Crystal turned.

Crystal turning is an amazing concept offered in this vibrant poem. The microabode is crystalline in shape. It is a cubicle form with a pyramidal shape on the top and bottom; hence, it looks like an uncut diamond. It is said to be located within the human body. It is a direct replicate of the Cosmic Body. Running vertically through this crystalline form is a vibrant thread of light known variously as Moolam or Brahma Sutra. The Nataraja form of Shiva indicates this Brahma Sutra graphically. This poetic phrase, So transfixed He His Coral Feet on heart of mine, Crystal turned, refers to this dancing thread of light and the crystalline structure of the microabode within the heart of each person. This poet noticed that his own form, the crystalline structure of the microabode, becomes activated through this experience at Chidambaram (a perfect Vaastu temple in South India). His poetry comments on this genuine experience of Bhakti or resonance and its effect upon himself. This experience does not only come to sages, rather it
comes to all who partake of the experience of being at the door of Vaastu temple or residing within a Vaastu house.

Vibrations from a building can be transferred to its inhabitants. We are affected by the vibrations or waveforms surrounding us, both the positive and negative. With the principles of Vaastu, you can build a home that not only resonates harmoniously with you, but also can uplift your vibrations. Your home can support your wellbeing, health, happiness, prosperity, and inner-peace.

One of Einstein’s great insights was to realize that matter and energy are really different forms of the same thing. As illustrated in his equation E=mc2 , matter can be turned into energy, and energy into matter. This is the basis of the science of Vastu/ Vaastu.

https://www.youtube.com/watch?v=z3jdiZFIC6Y

What we perceive as qualities of matter, are actually differences in periodicity. Bertrand Russell

The generation of forms out of the vibration of energy-space is identified and quantified by Mayan as “eight” and multiples of eight, in that order. Hence, in the table of timeunits and space units, you find the evolution of the measure starting from zero and evolving into forms, in terms of multiples of eight. … The nature of the number eight is to turn into form.

This is the basic formula of rhythms influencing the growth of all animate forms in a mathematical order, and this is the fundamental measure adopted by the dancers, musicians, poets, sculptors, and architects for all the development of artistic forms that they experience and generate from within. Dr. V. Ganapati Sthapati, Building Architecture of Sthapatya Veda

Courtesy Dr Jessie Mercay. Dandwat pranam to her and her Guru